There are two things that really make Hey Judy’s music work:
1) The harmonies—Aaron and Judy Webb’s voices mix wonderfully and create an
very unique vibe and sound. 2) The
mixture of sounds and styles—Hey Judy pulls from a lot of traditional American
music in creating their sound; what makes it work so well is that it is not at
all derivative or overdone. This band
has dipped into a well that is extremely well used and drawn out of it a sound
that is recognizable and unique all at the same time.
A (mostly) music blog, with a slightly left of center take on everything from music to politics to religion to pop-culture from the heartland.
Saturday, August 11, 2012
Album Review: What
Title: What
(BandCamp, iTunes)
Tulsa , OK ’s
Hey Judy’s full-length debut What is
an eclectic mix of punk, folk, rockabilly, and country. The record opens with the tongue-in-cheek “Soundcheck
Song” that reminds me of The Dead Milkmen’s “Punk Rock Girl.” Next is the rockin’ “Buffalosaurus” followed
by the sparse ballads “St. Paul ”
and “The Trouble With Lycanthropy.” Next
is my favorite song on the record “Lil’ Evenlyn,” a jumping number with
rockabilly guitar that is reminiscent of early Johnny Cash and Carl Perkins
records. “I Cry” is another haunting ballad,
this time driven by bassist Judy Webb’s beautiful classic country vocals. “Hideaway” is another up-tempo rockabilly
number followed by the ballad “Untitled and Unfinished.” The album begins to wind down with the dark
near ballad “Laura's Aural Aura” followed “Sinkin’ Feelin’.” The record closes on an upbeat note with the
killer guitar riff of “Press Their Luck.”
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